Collaborating with artists from various backgrounds of the visual arts is one of the best ways to begin to see things in new and different ways. This has personally always added important insights into my own journey. This was something I wanted to introduce to the children too.
In November last year, I had the chance to meet and work with Sarah Pupo artist in residence at the WAA residency. It was during the time I discovered Barney Saltzberg’s Beautiful Oops! that Sarah and I got talking about working with accidents within the artistic practice. This definitely wasn’t a coincidence and I took this as an opportunity to introduce her work to the children in an interactive session.
This was a fantastic opportunity for the kids to visit Sarah’s studio at the WAA residency in Bandra, Mumbai, where she shared with them her work process. Sarah’s work integrates painting and drawing, installation and self-taught, provisional animation techniques. Her approach to making things prioritizes intuition, associative thinking and the flux of chance and control.
This workshop was an introduction to materials like watercolour and ink and the process of painting wet into wet. So we got the kids to make a splash and build a story or a picture from there on. We used drops of water on paper and added ink, salt to it and tried various methods of random mark making. From there, they imagined what their splashes and blobs might be. It was immensely enjoyable for the kids, Sarah and I, to then collaborate and create a series of drawings that told the story of each of the child’s characters. The outcome could have been compiled to make a rudimentary flip-book of sorts, just a few steps short of animation.
She then presented to them a few of her animation videos, which was followed by a walk through her studio setup which gave them an insight into how she turns her ink and watercolour drawings into animated moving forms.
Understanding how visual forms can transcend formats and mediums, often moving from one to the next — paper and paint, to drawings, to animation — seems to come very easily and simply, to children. And it made me wonder about their intuitive sense of viewing visuals outside the boundaries of the formats in which they may be originally created — a skill many of us have to re-learn as adults in the practice of art.
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