Begin with telling yourself a story.
Close your eyes and visualise that story, one scene at a time, pay attention closely to all the details, colour, texture, shape, forms.
Where is this story situated? Imagine yourself walking through this story.
We set off with bookmaking several weeks ago – the group of boys who come home for private lessons, and I. This activity was definitely one of my favorite projects that came up spontaneously during these sessions. But T and A have a way of making the most mundane activities and scenes seem adventures, humorous, magical and dramatic.
The idea was to work on a visual story narrative, frame by frame, developing scenes and building on a sequence of events. This seemed to be the most natural process for us to explore together.
Some sessions are super special for how much they push and challenge me as a facilitator. In getting T to visualise, I had to return to some of my favourite books from a time when I didn’t read words, but engaged with images instead.
A Dark, Dark Tale is a book that’s probably as old as I am. It was handed down to me by my sister. An almost wordless book, it’s a dark and broody tale with a surprise scary story about a mouse. I shared this with T because I remember how arresting I used to find the illustrations. In the absence of words the pictures did all the story telling with their broad, stark lines and tones that capture emotions, set the mood and show movement.
Inspired by this, and surprisingly picking up the edgy style, T’s book takes you through images of a forest, an isolated landscape and an abandoned house where there lived a cat and mouse, several bats and owls.
A’s book is about motley crew of sea creatures that are making it through the Bermuda Triangle. It’s still in progress and we’re waiting to see where the story goes.
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