Cult Of The Street.
Bone setters and Barbers shops An exploration in mixed media,
documenting these unique professions though photographs, drawings,video, sculpture and sound.
This is a compilation of 2 bodies of work that traces the lives of two of Bombay’s most queer professions: the bone setters and the barbers. The exhibit takes viewers thought some of my picked documentation of the city’s streets, which showcases the nature, dynamics and reactions of the people and their business, with the common man, set stage in the by-lanes of Mumbai city and a few other cities.
My exploration led to representations of what I saw, in a mix of different media. I have documented these dying professions with a keen closeness to the senses.
2 business, 1 human body
While the compilation depicts 2 very different professions, they are both closely linked to the same human body.
Bones speak of fragile bodies, mortal remains, healing and restoration form within.
Barbers shops speak of beautification of the body, sexuality, male power, and vanity depicted through the curiosity as an on-looker/passer by, to something that is considered to be otherwise private.
Cult of the Street travelled to Bangalore and had a rather happy opening on the 19th of April, at 1 Shanti Rd An Artist Collective Center, run by Suresh Jayaram and Cop Shiva.
It was great to be doing a show in the very city I have been brought up in, where the seeds of my explorations were first sown.
Being in Bangalore gave me a sense of familiarity, but also came with the extra effort of putting up an entire exhibit in a city I don’t live in anymore. Right from transporting my work to Bangalore, finding the best framers, getting all the props and electronics I needed, finding the right printing support and finally setting up the show was a great learning experience.
For me, it was also special to see my work up in a space totally removed from the space it originated from. Putting up a show also brings with it a sense of separation from my own work. The minute the frames and sculptures find their place within the defined walls of a gallery, there is a detachment, where I stop viewing the work as my own, but as a subject that finds interesting reactions in those that come to view it. Gauging what people take back from what you have left them with, completes the entire process of creation, for me.
Having this opportunity to share the Cult of The Street story with people I have grown up with, as well as those I have come to know through my recent interactions as an artist, was a special one. It was good to see the sense of curiosity in the minds of people who visited. There were lots of questions about the subject and why I was drawn towards it.
And for an artist, it is always nice to see peoples’ reactions to something that is new to them, but that grows more and mroe familiar to me with every passing show.